My artistic practice generates physical, intuitive and often collaborative layered and multi-faceted explorations of place. Through performative explorations of sites, chosen for their potential representation of the ‘industrial sublime’ and activations of their history, you and I, as activator, audience or observer can come to a more intimate and embodied knowledge of place.
 
I am interested in the use of stories to activate place and playful interventions to illuminate terrifying themes and radical and provocative re-interpretations of place. I contest liminal spaces between proximity and distance, observation and inhabitation. I explore, activate and focus not on a politely distanced spectatorship of the sublime, but on my blinded, immersed experience of the world as hyperobject.